Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Thurber...

I love what Keith Olberman is doing. In general. But Fridays are really special. He lost both is parents in less than a year. And was just going on going on, taking much time off during the middle of the health care debate, and reading to his father, then roaring in to go all Rambo on the nay-sayers. And he does a lot of good stuff behind the scenes.

He would read James Thurber to his father in his last days. And his father used to say, 'You should do that on Tee-vee.... Whatever, the last heiress of James Thurber gave him permission to do that. And his estate regulators.

So Fridays are special. And I KNOW all these stories, and have laughed so much over them. His recent redition of 'The Greatest Man in the World' was classic, as well as 'The Night the GHOST Got in'.. Y'see... I've read all these things, and was delighted, amused, thoughtful, and the drawings... he was nearly blind, but they were so funny.

However, there is a motive as well, about politics, and what Keith chooses... has a background. Enjoy today, the first part of 'The Day The Dam Broke'. And think about it.

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Am about to rid myself of a disturbing image....

Because I KNOW someone who is going to need it. Peter fell in love with it in Venice, and said, that is JUST how he feels. It is small, brilliantly done, and the artist is famous for cd covers, the art on them. We also had a large poster of it in the stairway at our house. I used to collect all sorts whenever we were in Venice, just to irk the neighbors with art, and was greatly disappointed when they were upset that I took them all down when we moved out.

Next to the poppy painting Peter so loved, this was 'how he felt', living with his illness. Jumping across a chasm, and so trying to gain ground on the other side.

He gave it to me when he couldn't look at it any more and sort of gave up. But I know someone who fell in love with the poster and has the same reaction to it... that's how he feels every day. So I wish to give it to him in order to give him the encouragement he needs, he is a very valuable person.

I never HAD that sort of relationship to it. Too fatalistic. 'You're gonna FALL, you idjit...'

Yes, it's about striving and acheiving the impossible. And I think it is a wonderful image....

But y'know what I saw? I imagined a river at the bottom of the chasm, and myself there, fighting crocodiles, water moccasins and piranas.

That is what is so 'cool' about 'art'. People's perceptions can be so divergent. (shaking fist now, WHERE the HELL ARE you Bernhard so that I can talk about this with you 'out on the Square??? Miss you...)

This 'thing' has been staring at me for years out of a glass bookcase, accusingly.

So now that I know a worthy successor who has the same feeling about it.... will pass it forward. As long as it helps, no damage, no foul, as they say.

And now that I've bored everyone to death... we all have our way of dealing with perceptions.

However... you are gonna have to bear with me on this...

I had not seen the reports at the time... but of the link below to the late Christoph Schlingensief, I really LOVED what he did in Switzerland. He got all these complacent subscribers into a beautiful theater, thinking they were gonna see Hamlet.

But he radically changed it. And seemingly, at the end, came out in an SS German uniform, and 'in his role' really went AT them for taking the ones lucky or rich enough to get over the border, more or less steal their money, and then throw them under the bus and send them elsewhere, because, as they said at the time, 'the boat is full'. Right.

Those were historically known and documented facts, but he pushed it in their collective faces. Being in a role of outraged Nazi, that they would DO that and betray their neighbors.

You have to place this in the historical context of the time.

Christoph Schlingensief took no prisoners, and it is a joy to see some stolid Swiss in the audience demonstratively walking out, and him sitting on the stage, and calling them cowards. And getting into his camera team outside, and saying they would NEVER renew their subscriptions. Art has been political here.

I just let Peter know that he is gone, he was devastated, spent much time in theater circles in Germany before he came back to Graz. He knew him personally. And cried.

We had heated discussions about the film mentioned below, because the then not-formed GLBT people were angry with him for decades. But he was right. He wanted to light a fire under their behinds and get them active. So he was radical. It was the times.

I never saw much of his work. But did see what he did in Vienna one year. He was FULLY pissed off about us having homeless people. So for three weeks, he set them up in see-through containers, where everyone could watch them go about their daily stuff, and believe me, nothing gets an Austrian's more attention than watching other people and what they do... And set it up right beside the Opera near the Ringstraße, and the Viennese went on the 'Ram-PAGE', they were so indignant.

You couldn't PICK a more exposed and central place than that. Scandal, I tells you. I was just surprised anyone would agree to do that. He must have had powers of persuasion, I guess...

So he was an activist, an artist, a theater director, an actor, an all-around talent of immense capabilities, but he never gave an inch, and provoked.

Just to let you know... we've had some stellar artists in that caliber since I came here... Peter Handke, who won't be recognised till he is dead. Thomas Bernhard, who was smart enough to mess around with the upper class then published a roman à clef, and his book nearly got banned, but smarter than Truman Capote... And sculpt0r Alfred Hrdlicka, who drove Vienna nuts with a very controversial ensemble. I was there the night it was unveiled, and nearly got into a fist-fight. Don't ask. It had to do with 'the street-washing-Jew', and I nearly got into a fist-fight. Whereby the guy was of that faith. I had no wish to interfere, but he was belligerent, and I was of the opinion that you can't change historical FACTS, as ugly as they can be. It serves no purpose...

Those are only a handful off the top of my head, mind you.... and recent....

Art IS Politics here. And I don't know, but it fascinates me. It isn't about going to museums, or pretending to understand sculpture, it is POLITICAL. It's about making people think, herrgottnochmal. Gawwd, I am missing my friend Bernhard tonight... just to get him 'out on the Sqare', and having a very good talk. But alas, he's been dead some years now. He would have understood.

I just learned.

That Alfred Hrdlicka died....

He was a sculptor, painter, artist.

In Vienna. He was so provocative.

He always said things weren't supposed to be 'pretty'. They were supposed to make you think.

I think one of the most provocative and wonderful things he created was a monument on Albertinaplatz, in front of the famous museum, and underneth which were the remains of the daed, who were killed by the US in WWII.

Of the elements he put up was the 'street-washing Jew' with barbed wire over it. (so tourists wouldn't sit on it...)

And yes, the Nazi's actually did that.

He always knew how to make people uncomfortable.

I was there shortly after it was opened. And got into a horrible controversy, because, I wasn't gonna let anyone do me in on feeling guilty, because I wasn't even born when it happened...

It got pretty crass....

I think we lost another great artist....